JONATHAN HERRERA SOTO
Incomplete spaces are represented through mark- making with residues, organic and otherwise, in Soto’s work. His American experience is one of continued migration, an extension of the trek that started in Iguala, Mexico, with his parents in 1990. Soto aims to tell the illegible and fragmented story that has molded his life.
Untitled, 2024
Clay, charcoal, and ink on towel and pillowcase. 32x37 in.